Window 059 - Symbolic Window, Typology of the Passion of Christ (restored, detail)
NB: Read TOP to BOTTOM, unlike most windows. Some are modern (marked *).
• Row 05: The Church (the NT, new faith); Crucifixion with Longinus and Stephaton (*); Synagogue (the OT, old faith). • Row 04: Gideon sees angel (*). • Row 03: Christ is mocked and crowned with thorns; Israelite scouts return from promised land with evidence of its richeness; The Scourging of Christ. • Row 02: Women weep at the Crucifixion; Jesus carries the cross (*); Soldiers preparing for the crucifixion. • Row 01: Christ (with candelabra) (*).
• First archivolt: twelve angels • Second archivolt: Prophets • Third archivolt: Jesse Tree • Fourth archivolt: Jesse Tree continues • Fifth archivolt: Prophets
† Window 145 - North rose: Rose of France glorifying the Virgin (restored)
Virgin in center with Infant Jesus. Surrounded by four doves, four angels, and four Thrones. These are followed by twelve kings of Judah, Mary's ancestors. The outer ring contains twelve minor prophets.
The window was donated while Queen Blanche was regent of France (circa 1230). The arms of France alternating with Castile are seen below the rose itself. The entire ensemble is a none-too-subtle bit of royal propaganda, with Mary (the Queen of Heaven) at the center of it all. Note too that the figures below the rose in the lancets contrast a legitimate righteous sovereign with corrupt, foolish, or fallen ones. Blanche seems to have wanted no doubt about how she ought to be considered.
†North side, lancets, left to right: True versus false sovereigns (restored)
• Window 145C - North side, far left lancet: Melchizedek standing over Nebuchadnezzar (true king over the false Babylonian pretender to world-lordship, worshipping idol of his dream).
• Window 145B - North side, near left lancet: King David standing over King Saul (the chosen king over the apostate king rejected by God, who dies via suicide in despair).
• Window 145A - North side, central lancet: Saint Anne holding Infant Mary. Beneath this are the arms of France.
• Window 145D - North side, near right lancet: Solomon over Jeroboam, who worships golden calf (wise king over the fool who worshipped idols and abandoned the LORD).
• Window 145E - North side, far right lancet: Aaron above Pharoah, covered by the Red Sea (true priesthood and power over the false).
† Window 145 - North rose: Rose of France glorifying the Virgin (restored)
Virgin in center with Infant Jesus. Surrounded by four doves, four angels, and four Thrones. These are followed by twelve kings of Judah, Mary's ancestors. The outer ring contains twelve minor prophets.
The window was donated while Queen Blanche was regent of France (circa 1230). The arms of France alternating with Castile are seen below the rose itself. The entire ensemble is a none-too-subtle bit of royal propaganda, with Mary (the Queen of Heaven) at the center of it all. Note too that the figures below the rose in the lancets contrast a legitimate righteous sovereign with corrupt, foolish, or fallen ones. Blanche seems to have wanted no doubt about how she ought to be considered.
• Melchizedek - wearing crown, with bread and wine (which he gave Abraham; prefigures the Eucharist). Lamb beneath. • Abraham - looks up at angel halting the sacrifice of Isaac. Ram beneath. • Moses - with brazen serpent on the pole, symbol of Christ's crucifixion. Golden calf beneath. • Samuel - sacrifices a lamb. • King David - carries instruments of the Passion, which his Psalm 22 foretold. Beneath lion of Judah.
† Window 145 - North rose: Rose of France glorifying the Virgin (restored)
Virgin in center with Infant Jesus. Surrounded by four doves, four angels, and four Thrones. These are followed by twelve kings of Judah, Mary's ancestors. The outer ring contains twelve minor prophets.
The window was donated while Queen Blanche was regent of France (circa 1230). The arms of France alternating with Castile are seen below the rose itself. The entire ensemble is a none-too-subtle bit of royal propaganda, with Mary (the Queen of Heaven) at the center of it all. Note too that the figures below the rose in the lancets contrast a legitimate righteous sovereign with corrupt, foolish, or fallen ones. Blanche seems to have wanted no doubt about how she ought to be considered.
